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Bridal Asia Magazine

Lovetobag Style and Swing

Lovetobag

Style and Swing

S/S 2021

Ayushi Gupta of Lovetobag has crafted the perfect bag bible, with her endearing offerings that are hand embellished, making it both ornate and classic

In a world where Chanel and Hermès rule, how can one create a place? Some have kept themselves rooted to the place they belong to, which gives their products certain grounding, while not forgetting international flair. However, when you see the world in monochromes, just like Ayushi Kanoi Gupta did as a young girl, adding colours not only seems challenging but ironically imperative.

So it was this quest for hues that got Ayushi to start her brand, Lovetobag, in 2011. She hoped to satiate the desires of those women, who wanted all the hues of a rainbow, albeit chosen carefully, to add dollops of fun to their otherwise austere ensemble.

Accessories became her mainstay as that could enable her to make a statement. It is this ideology that she follows in her label. Born and raised in Kolkata, Ayushi studied fashion management from NIFT, Delhi, and worked for a buying house for a couple of years. This exposed her to a startling fact. “We were creating such fabulous embroideries and hand embellishments for the global market, but nothing like that was available for the Indians,” she explains.

Hand embellishments are her USP, and she embarked on a journey, taking it a few notches higher, by adding bags, shoes, scarves, and capes to her expanding repertoire. She made her clients believe that they could use each accessory in their own personal way, and make it theirs. “I may not have studied fashion design, but I did understand the process—from a thought to final execution,” she smiles.

What honed her skills was her mother, Uma Kanoi, who is doing trousseau for the last 26 years in Kolkata. “I grew up seeing embroideries and fabrics and various interesting treatments to create a dream bridal lehenga. That was my fashion school,” she says.

At Lovetobag, Ayushi executes different forms of embroideries and various techniques, from zardosi to cut dana, beading and even pearls and appliqué. “We only use Japanese pearls and beads as the lustre and quality is far superior. The finish for both are traditional and modern/ versatile,” she explains.

Her line, TWB or “Together We Bloom”, is an ode to exclusivity, and the need for being gentle and kind in this rather harsh and fast-paced world, which has been depicted by a burst of myriad flowers on a single bag. Ayushi is inspired by what she sees around her, and that becomes a leitmotif. “It is about how effectively we can convert our thoughts into design. Like we did calligraphy monograms in zardosi,” she adds.

The structure of a bag has changed—from stiff metal box clutches to soft pouches (in velvet, silk satin, and leather), some that come with the 1970s fringes. Then there are flap over bags, as well as embroidered fanny packs, belt bags, and backpacks, which have become hugely popular as they can take you from day to night. “We offer intimate personalisation so that you can put a nifty quote at the back of the bag, like we recently did for a couple. The quote read: ‘Lovers don’t meet, they are in each other all along’. We can add your initials on a bag if you wish,” she explains.

With embellishments being her pivot, Ayushi uses this technique on capes as well, which you can wear with almost anything from denims, maxis to skirts. “Gold is evergreen, but what is sold out now is silver, and people have taken a shine to it,” she explains. Her hi-end line starts from ₹6,000 and goes up to ₹10,500, while she also does a simpler prêt line which ranges between ₹2,000 and ₹4,500.

This year, she opened her first store in Delhi’s fashion hub, Shahpur Jat, and she has one in Kolkata. However, she does aspire to sell globally, as what she does is in huge demand. It is about getting the right customers. 

“We empower 50 artisans in Kolkata, and I want to add to this list creating more employability as hand-done work is truly unique. With machines taking over, this is a dying craft. My efforts are a few drops in the ocean to revive and resuscitate it.”

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